LIFE AFTER DEATH: EMBRACING THE QUEER WIDOW


Chuck Forester, Poetry Reading, June 15, 2001 Opening Night
Photo Ryan-Michael Riel

 

 

 

 

 

 

 

 

Chuck Forester

Michael and I lived together for many years as the front and back covers of the same book. Between them were myriad stories of a cabin in the redwoods, a trip on the Orient Express, a hundred evenings naked in front of the fire, acid trips in Arkansas, elegant dinners in New York City, and a gala fundraiser for the Hormel Center in the Library. Even at my most egotistical, I could never have imagined a life as rich, or a love so unconditional. For eighteen years I pinched myself to remind myself how lucky I was.

I am a Midwesterner, a little reserved and needing to understand. When Michael died, I cried. I cried for most of four months because I couldn't understand. To recover my reserve I observed myself, as if from a distance. Just as I had marveled at the wonders that I encountered daily living with Michael, I watched myself suddenly deep in anger, fighting back enormous frustration, and being cruel to others. I could not stop feeling sorry for myself.

I was most unworthy. I went back to work to find a purpose for getting up in the morning and a reason for people to pay attention to me that wasn't pity. Eventually, I edited Michael’s wardrobe and threw away his business records. I returned a box with old photographs to his first lover. Somewhere, in the fifth year of grieving, I became self-sufficient.

I entered into the “Queer Widow Project” not knowing what it would mean or what I might contribute. Working with men of enormous talent and strength of personality, I was able to continue growing and honor Michael. Working on this exhibit has helped me realize my voice as a poet, and has reminded me how present I am in the world.

 

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(Select Image For Additional Work By Chuck Forester)

 

 

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